Books Advanced Search New Releases & Pre-orders Best Sellers Browse Genres Children's & Young Adult Textbooks Exam Central All Indian Languages. 12 Vrathamulu Book (Telugu) Sri Lalitha - Vishnu Sahasranama Stotralu Telugu written by Suchitra and published by Mohan publications. Read Sri Lalitha Sahasra Nama Sthotram Telugu book reviews & author details and more at Free delivery on Sri Lalitha Sahasranama Sthothram. Read Sri Lalitha, Vishnu Sahasranama Stotralu book reviews & author details and more at Free delivery on Sai Satcharitra Book - Telugu Version .

Lalitha Sahasranamam Telugu Book

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Uploaded by: CHEYENNE Sri Lalitha Sahasranama Stotram (Telugu Edition) ( ): Veda Vyasa: Books. Lalitha Sahasranamam in Telugu And Lalitha Saharanama Sthothram Telugu. Hindhu God Sthothram And Lalitha Sahasrnama Sthothram. Easy To read in. Sri Lalitha Vishnu Sahasranama Sthotram, Rs, Out of Stock ISBN: GOLLAPUD04; Binding: paperback; Number Of Pages: ; Language: Telugu .

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EBook - Sri Lalitha sahasranama rahasyaardha pradeepika (Telugu)

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Description Extreme care is taken while publishing this book, Sri Lalitha Sahasranama Stortram, so that the slokams do not contain spelling or print mistakes. Slokams and Namams Telugu Edition Author: Further, in order to maintain the meter, sahasranamas generally use the artifice of adding words like tu, api, ca, and hi, which are conjunctions that do not necessarily add to the meaning of the name except in cases of interpretation. The Lalita Sahasranama does not use any such auxiliary conjunctions and is unique in being an enumeration of holy names that meets the metrical, poetical and mystic requirements of a sahasranama by their order throughout the text.

Composition[ edit ] Lalita sahasranama is said to have been composed by eight vaag devis vaag devatas upon the command of Lalita.

The sahasranama says that "One can worship Lalitha only if she wishes us to do so". The text is a dialogue between Hayagriva an avatar of Mahavishnu and sage Agastya.

The temple at Thirumeyachur , near Kumbakonam , is said to be where Agastya was initiated into this sahasranama. An alternative version is that the Upanishad Bramham Mutt at Kanchipuram is where this initiation happened. This sahasranama is held as a sacred text for the worship of the "Divine Mother", Lalita, and is used in the worship of Durga , Parvati , Kali , Lakshmi , Saraswati , Bhagavati , etc.

A principal text of Shakti worshipers , it names her various attributes, and these names are organized in the form of a hymn. This sahasranama is used in various modes for the worship of the Divine Mother.

Some of the modes of worship are parayana Recitations , archana , homa etc.

Story[ edit ] This stotra hymn of praise occurs in the Brahmanda Purana history of the universe in the chapter of discussion between Hayagreeva and Agasthya.

Hayagreeva is an incarnation of Vishnu with the head of a horse who is held to be the storehouse of knowledge. Agasthya is one of the sages of yore and one of the stars of the constellation Saptarishi Ursa major. At the request of Agasthya, Hayagreeva is said to have taught him the thousand holiest names of Lalita. This has been conveyed to us by the sage Maharishi Vyasa. Lalita Sahasranama is the only sahasranama composed by vagdevatas under Lalita's direction.

All the other sahasranamas are said to have been passed on the writings by Maharishi Vyasa. Note that even before Vyasa many worshipped the Devas with Sahasranamas. Vyasa did not compose sahasranams, but only popularized them through his writings. Paramashiva is one of the trinity of Hindu pantheons, in charge of moksha layam. He married Sati , the daughter of Daksha.

Daksha and Shiva did not get along and consequently Daksha did not invite Shiva for one of the great fire sacrifices that he conducted. Daksha insulted her husband and she jumped into the fire and ended her life.

This incident upset Paramashiva and he entered into deep meditation. Sati reincarnated as daughter of Himavat , king of the mountains, and his wife, Mena. The devas faced an enemy in Tarakasura who had a boon that he could be killed only by a son of Shiva and Parvati.

So, to rouse Shiva from his deep meditation, the devas deputed Kamadeva , the God of love who shot his flower arrows at Shiva. Shiva ended his meditation and in fury for being disturbed, opened his third eye which reduced the God of love to ashes.

Sri Lalitha Sahasranama Stotram Slokams by Veda Vyasa Maharshi

The Devas and Rati , the wife of Kamadeva requested Shiva to give life to her husband Heeding their request Paramashiva stared at the ashes of Manmatha. From the ashes emanated Bhandasura, who made all the world impotent and ruled from the city called Shonita pura. He started troubling the devas.

The devas then sought the advice of Sage Narada who advised them to conduct a fire sacrifice. From the fire rose Tripura Sundari. Lalita[ edit ] In Lalita Sahasranama, the beginning of the text describes the formless Lalitha with an explicit female form and along with an equally charming consort.

This divine couple is named as Kameshvari and Kameshvara. Kameshvari is described as extremely beautiful, having dark thick long hair with the scent of champaka , ashoka and punnaga flowers. She had the musk tilaka on her forehead, eyelids which appeared as if they were the gate of the house of the God of love, and having eyes like fish playing in the lake of her face. She had a nose with studs that shone more than the stars, ears with the sun and moon as studs, cheeks which were like the mirror of Padmaraga , beautiful rows of white teeth, and she was chewing thambula with camphor.

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She had a voice sweeter than the sound emanating from veena of Sarasvati , and having such a beautiful smile that Kameshvara himself could not take his eyes off her. She was wearing a mangala sutra and necklaces, with beautiful breasts which were capable of downloading the invaluable love of Kameshvara, having wisps of beautiful hair raising from her belly, her stomach having three pretty folds, and she was wearing red silk tied with a string with red bells.

She had thighs which steal the heart of Kameshvara, knees which looked like crowns made of precious gems, voluptuous legs, upper part of the feet resembling the backs of tortoises, feet which resembled lamps made of gems which could dispel worries from the mind of devotees and a body with the golden red color.Sangeetam nerchukonnanu.

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